Ivor Wood on the set of The Herbs

Had to share this with you all. Whilst flicking through my copy of Michael Bond’s autobiography Bears and Forebears I stumbled across this picture of a very young Ivor Wood. It’s no secret that Ivor and Michael were good friends, producing both Paddington Bear and The Herbs together. It’s the latter that we treated to here, with Ivor standing proudly in front of The Herbs set.

Ivor Wood on the set of The Herbs

Ivor Wood on the set of The Herbs

As you’ll see Ivor was a young man here and would have probably been taken around the mid 60s as The Herbs was being made. Alternatively it could be lat 60s on the set of The Adventures of Parsley. Perhaps Ivor’s wife Josiane would have a better idea.

As we can see in the background Sage is looking on whilst Dill digs out something from his kennel. Speaking of digging, I’ve got more treats in store so stay tuned.

Also if anyone has any questions or had a particular interest they’d be keen to find out more on then leave a comment and I’ll see what I can do.

Paddington Bear cartoons by Ivor Wood

Wow it’s been 3 weeks since the last post! Apologies to all, work has been crazy and we’re also starting a BIG self funded project called Rex Factor – The Animated Show. More on that later if you’re interested.

It’s been a while but I’ve done some digging and pulled out these gems from Ivor’s Paddington Bear days. Around 1977 Ivor and Michael Bond embarked on a series of cartoon strips for the London Evening News. There’s more in an article I wrote a while back here. It was quite an undertaking and saw Paddington get into all sorts of scrapes in just four panels per story.

I was lucky enough to catch a glimpse of the original cel drawings that Ivor drew straight onto acetate. They’re a great example of his draftsmanship and full of that Ivor charm.

Paddington Bear cartoon for the London Evening News - 1977 - Illustrated by Ivor Wood

Paddington Bear saws wood for the London Evening News – 1977 – Illustrated by Ivor Wood

Paddington Bear cartoon for the London Evening News - 1977 - Illustrated by Ivor Wood

Paddington Bear carries boxes for the London Evening News – 1977 – Illustrated by Ivor Wood

This has to be my personal favourite (above). I love the way the boxes are drawn and so precariously balanced as Paddington makes probably quite a fateful trip down the stairs. You need no more in a drawing of this quality to tell the story. We all know what will happen without it being spelled out and it’s a testament to Ivor’s storytelling vision. His line work once again may not be in proportion or the most tidy, but the expression and pose is all there and weighted perfectly for that sudden trip and tumble.

Paddington Bear cartoon for the London Evening News - 1977 - Illustrated by Ivor Wood

Paddington’s jar of marmalade for the London Evening News – 1977 – Illustrated by Ivor Wood

Well I had to end the post with Paddington’s favourite snack, Marmalade. Just look at those chunky bits’ shredded up in the jar. Hmmmm. Promise not to leave the next post too long so keep on the look out.

And if you’re interested my studio, Tinmouse Animation are embarking on a very exciting project. We’re animating the internationally successful Rex Factor podcast, duly named Rex Factor – The Animated Show. You can find out more about it in the link below and sign up for a FREE gift and all the latest updates. We’ll be opening up to funding in July through Kickstarter so would be great to see if any of you are interested 🙂

www.rexfactor-theanimatedshow.co.uk

Ivor Wood talks Wombles in Radio Times

This post needs me to do very little talking. Whilst browsing Ebay the other week I stumbled across a great find! A Radio Times magazine article from 3-9 February 1973. This was the week that The Womble’s first appeared on air on British Television. Both Ivor and Womble creator Elisabeth Beresford held an interview on the subject of bringing The Wombles to life. Along with some words from the man himself there’s also  a rare photo of him with his trademark pipe and also some candid Womble puppet shots.

So here it is. Enjoy!

Radio Times - 3-9 February 1973

Radio Times – 3-9 February 1973

Interview with Elisabeth Beresford and Ivor Wood on The Wombles first TV appearance - Radio Times - 3-9 February 1973

Interview with Elisabeth Beresford and Ivor Wood on The Wombles first TV appearance – Radio Times – 3-9 February 1973

Interview with Elisabeth Beresford and Ivor Wood on The Wombles first TV appearance - Radio Times - 3-9 February 1973

Interview with Elisabeth Beresford and Ivor Wood on The Wombles first TV appearance – Radio Times – 3-9 February 1973

Nuggets from you the followers

Big thanks to everyone whose been in touch over the last few weeks it’s been great fun looking through all your amazing and insightful comments. The information that you put forward was so good that I thought it deserved a post of it’s own. So in no particular order here are those intriguing little tit-bits.

Firstly thanks to Nick a few weeks ago for discovering where the second Paddington Bear puppet is and most interestingly where it’s been.

Paddington Bear puppet – Image taken from the http://www.bbc.co.uk

Great blog and a very interesting read! I found this article http://www.bbc.co.uk/news/uk-england-york-north-yorkshire-36372330 which mentions Gyles (Brandreth) had an original Paddington Bear too. I have also found the the Museum of London had Paddington on display in the last couple of years and also the Polka Theatre in Wimbledon….did you know about these? Looking forward to more updates!

Nick

A great find and it’s really nice to know that both bears are now accounted for. I know that Barry Macey (Paddington animator) had one of the puppets in his shed for a long while as he used to take photos of the puppet for magazines and books. Will have to enquire as to what one that was.

Next up, with a surprise I wasn’t expecting, is Gareth Jones who has spotted another cross-over in Ivor’s work. Would you believe Charlie Chalks Merrytwit Island actually appears in Postman Pat…

Looking at that, remember Postman Pat Takes Flight and the film that was on it has someone on a hot air balloon and it looked like it was floating over trader jones store do you think there’s a connection to this character?

Gareth Jones

At first, I’ll admit, I was sceptical but take a look for yourself above. The Major is featured showing a film of his travels and he indeed does take a hot air balloon ride over Merrtwit and Trader Jones cabin. A great find and it makes total sense as Series 2 of Pat was created after Charlie Chalk so the sets would have certainly been knocking around. It is rumoured that Ivor didn’t much want to produce the 2nd series of Pat as he felt it had run it’s course. However placing a Charlie Chalk reference within it must have raised his spirits.

In addition to this point, Jay from The Herbs Homestead (a superb blog all on The Herbs www.theherbs.homestead.com) cleverly points out in reference to the article on the lost Charlie Chalk character (Max the Big Game Hunter)

Maybe the similarities with an earlier character (Max the Big Game Hunter) were just too striking ?
“Hunter…..wouldn’t hurt a fly……always in trouble with Captain Mildred”
Just replace Captain Mildred with Lady Rosemary and you’ve effectively got Sir Basil from The Herbs.

Jay

Again thanks so much for all these great finds and information. It’s a pleasure to do this blog and with you all contributing it makes it all the more satisfying. Hopefully they’ll be some more great finds for you in the next post.

I’d also like to say a big thanks to Gill who has kindly sent this months Waitrose magazine to me as it has an interview with Sir Michael Bond, author of Paddington and The Herbs. I’ll makes sure to give it a read!

Paddington Bear and The Herbs Sage?

Firstly thanks for all your comments from various people over the last weeks, glad to see there are so many Ivor Wood fans out there. They’ve been great to receive and I’m finally getting a chance to reply to them so my apologies for this. Also thanks to all the new followers, it’s so great to have you all on board as we delve into Ivor Wood’s archive.

This weeks post is more of an observation than anything else. I was flicking through Paddington’s Loose End Book the other day and stumbled across his idea for the letter ‘O’. The book details activities and crafts to do at each letter of the alphabet and when it gets to ‘O’ Paddington suggests creating your very own Owl. A very odd idea indeed but when you take a look at the picture it starts to make sense…

…is that Sage from The Herbs?

Owls - Paddingtons Loose End Book, Illustrated by Ivor Wood

Owls – Paddingtons Loose End Book, Illustrated by Ivor Wood

This  might be one of those things that we never find out and I have no idea how much input Ivor had in the creation of the content of the book. However the author, Michael Bond, also famously wrote and created The Herbs so pretty sure this isn’t a coincidence. It’s the only cross-reference I’ve ever seen so thought it’s be good to share with you all. Especially for all those Herbs fans out there.

 

The Wombles fur

A rare and interesting treat for you all today with a find from Josiane Wood. After last weeks post on the designing of the Wombles it seemed like the perfect time to share this little nugget.

Whilst digging around in her cupboards Josiane, Ivor’s wife, found a piece of the very same  gold velvet material that was used for the fur of the Wombles. As you can see from the picture below it’s still in remarkable condition and is unmistakably Womble.

The Wombles fur

The Wombles fur

In Ivor’s creation of The Wombles puppets he didn’t have much to go on in terms of colour. The book illustrations only give away one coloured image on the front cover where there is a hint of the gold/brown that we’ve come to recognise. Like all of Ivor’s work, his colour choices are spot on and The Wombles are no exception. The gold and grey fur perfectly contrast against either the green of brown of their surroundings making sure they always stand out. What we also have to imagine is that most of the TV sets would have shown in black and white and on a small screen back in the early 70’s so a good idea of colour contrast would have been key in the design to make sure that the characters were easily recognisable.

Lots more to come so stay tuned for more treats and don’t forget to follow the blog on bloglovin too!

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Ivor Wood designing The Wombles

In the early 1970’s Ivor Wood embarked on what would become his most successful show to date, The Wombles. Ivor had just shipped over from France to head up the animation department at FilmFair. The new London offices were set up under the watchful and creative eye of producer Graham Clutterbuck, a man always on the hunt for investing in new shows and ideas. On their arrival he was given a copy of Elisabeth Beresfords, The Wombles and the knowledge that the BBC was set to commission it under the proviso that the characters changed their look. This may sound like an easy task for the king of characters Mr Ivor Wood but this was not to be as easy as first made out.

The Wombles by Elisabeth Beresford - Illustrations by Margaret Gordon, Puffin 1968

The Wombles by Elisabeth Beresford – Illustrations by Margaret Gordon, Puffin 1968

After some digging I’ve unearthed the very first book with the original Illustrations of The Wombles by Margaret Gordon. Within these illustrations you’ll instantly see that they are very different from The Wombles that we’ve all come to know and love. From the outset we are given a description by Elisabeth Beresford that sounds a little similar to our familiar Wombles…but not quite.

The Wombles are a bit like teddy bears to look at but they have real claws and live beneath Wimbledon Common…

Perhaps it’s here that we see why the BBC didn’t like the current look. Maybe the teddybear was too cute or maybe the idea of claws was a bit scary. The juxtaposition of these characteristics also poses a problem. Are they cute and cuddly or something to be a little afraid of. Ivor certainly had his work cut out.

The Wombles by Elisabeth Beresford - Illustrations by Margaret Gordon, Puffin 1968

The Wombles by Elisabeth Beresford – Illustrations by Margaret Gordon, Puffin 1968

The Wombles as we see them in Margaret Gordons illustrations are a lot rounder and fluffier than once would come to expect. They also have little button eyes and small paws, not so good for making and inventing you might think. In Ivor’s final Womble designs he presents characters that are both faithful to the book descriptions and also in keeping with his design sensibilities. Ivor switched up those small paws, changing them to bigger more workable appendages. This more than likely would have been an animation choice as smaller limbs can be tricker to manoeuvre and ultimately create and fix.

After speaking to Barry Leith it was the noses that were a sticking point and it took a few, frustrating, back and forths with the BBC to get it right. The second design “developed a snout and a bit more of a tail and it was standing on two feet, not on all fours but we looked at it and thought it was a bit bloody rat like” so it was back to the drawing board. Finally Ivor elongated the snout, made the ears floppy and made them all a little less rotund. Interestingly they kept their little button eyes, which in my opinion helped their aesthetic. As a whole The Wombles are quite large limbed, nosed and eared and cleverly keeping those eyes small creates difference and makes them all the more cute and cuddly. No claws also makes a huge difference.

Overall it’s an interesting comparison and one that really shows off Ivor’s ingenuity and talent in character design. He ultimately created characters that were simple enough to be shown on those small grainy TVs of the 70s whilst keeping a charming style that mirrored that of the original books descriptions. I’ll leave you with Elisabeth Beresfords original description of Great Uncle Bulgaria and you’ll see that he really hasn’t changed at all.

The head of the Wimbledon Wombles is Great Uncle Bulgaria. He is very old indeed and his fur has turned snow white and he feels the cold rather badly. So during the winter months he mostly sits in his own room in a large rocking-chair wearing a tartan shawl and two pairs of spectacles. He uses one pair for reading The Times newspaper and the other for looking at the young Wombles who have misbehaved…

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